Thursday, February 4, 2016

Humanities: Stations and To Kill a Mockingbird

Here are the stations we are working during To Kill a Mockingbird week.

Station 1.  No Red Ink. Sentence Fragments.  Quiz coming next week.

Station 2.  Roots 6-8.  Quizlet.  Quiz coming on Friday.  Should've been today.

Station 3.  P/P/O Personal Narrative Essay story map.

Station 4.  P/P/O Personal Narrative essay Storyboard.

Station 5.  LNG/Blog/Graphic Organizers.

We've spent most of our class time this week watching the film.  This way we can invest a great deal of time next week into unpacking and uncovering the film.  Big, big thinking ahead.

SHOW YOUR THINKING.

Blog Post.
Req'd Post.  P/P/O Pre-Writing.
Post on your blog your story map and your storyboard, explaining your thinking and where you are headed with your essay as well -- either through video, audio, or written commentary.
Due.  Friday, Feb 5.

Compose.  P/P/O Personal Narrative Essay.
Working draft. (Beginning, middle and end. 
Due. Monday.

Eng 9: One Word Unit Continues: Person, Place, Object of Significance Personal Narrative Essay

On Tuesday, we have focused on the power of one word and how much it can represent about us and our lives.

We started with our Roots 6-8 Quiz.  Results will be posted shortly.

In 15 minutes, we created physical and digital representations of the one word that captures our lives right now.

Then we took 15 minutes to turn those images into blog posts and put them on our blog trackers.

From there, we took another 15 minutes -- notice a theme here -- created story webs based on a single person, place or object of significance in our lives. Those story webs are the basis of Thursday's work.

Thursday starts with a scheduling meeting with Guidance.  After they are done, we'll get calibrated quickly and do a practice on No Red Ink.  There is a quiz next class over Commonly Confused Words 2.  Be prepared.  Practice.  There's a pretty clear correlation between higher quiz scores and amount of practice.

Then we'll take out our P/P/O of Significance story webs.  We're going to turn those into storyboards on Post-Its.  5 Post-Its -- the first is a doodle of your P/P/O.   The following four Post-Its are scenes from one story involving your P/P/O.

Here's a link to some examples.


I'll be capturing your storyboard with a Post-It app on the iPad.  This will let us play around with remixing the stories and combining one another's -- either now or in the near future.

Before class ends today, you need to take a pic of your storyboard, put it on your blog, and explain each of the pics.

SHOW YOUR THINKING.

Blog.  Post-It Storyboard of P/P/O Personal Narrative.
Due.  Today. Thursday.  Feb 4. 2016

No Red Ink Quiz.
Commonly Confused Words 2.
Next CLASS.



Monday, February 1, 2016

AP Lit: Hamlet Begins and So Much More . . .

Monday and Tuesday we start our work with Hamlet.  What I'm hoping you'll find is that we've actually been working toward Hamlet all year long.  

These next two weeks are going to be action packed to the gills with thinking, reflection, reading, analyzing and creating.

Both classes will follow the same basic outline for these next two weeks.   I'm posting the complete plan overview here and we'll get more details as we encounter the days.

HAMLET READING.  Starting Monday and Tuesday, an act per class.  Our goal is to get almost a full read in before break and then give us plenty of time in March to dig deeper.  Hamlet plus shorter supplemental readings is pretty much our 3rd Quarter text.

We will read through the play in the space of two weeks so that we may re-visit and unpack more after break.

TRACKING SHAKESPEARE's QUESTIONs.  Hamlet raises all sort of big questions.  I typically choose a theme or idea for AP Lit students to tackle via Hamlet.  How do we acquire and sustain power? How does status influence our decision making?  When do we complete the journey from adolescence to adulthood?  We're going to try something different this year.  (Haven't heard that before, have you?) 

Starting with Act I, identify the questions Shakespeare raises throughout the text.  Rather than typical annotations -- lines of significance, apparently allusions, insights of interpretation -- consider what question a passage asks the audience to consider.  For example, 

"Before my God, I might not this believe/ Without the sensible and true avouch/ Of mine own eyes." -- Horatio, I.1.66-68.
When do our eyes fail to reveal the truth?  What conditions must exist for us to believe what we see?  To what extent does spirituality filter our beliefs and capacity for observation?

You don't need to include three questions.  I did because one bred another, bred another.

We'll be using a tool called hypothes.is to mark up the text.  We'll do our first in class to get a sense of the tool and make sure we are connected. Feel free to use them as the launchpad for a blog post as well.

BLOGGING.  There are two blog posts to complete during this week into the first of next.

      BARD-CABULARY.
      1.  Identify an unfamiliar or unique word from your reading in Hamlet.  (You may want to note several as you read.)
      2.  Identify the context in which the word is used, quoting the act, scene and line number as well as the text itself.  Note the speaker of the text.
      3.  Determine the denotative meaning of the word, specifically as it relates to the use in the text.  (There are lots of definitions for some words.  You may want to identify more than one.)
      4.  Determine the connotations typically associated with the word.
      5.  Use Unsplash, your own photography or your art skills to identify an image that you feel accomplishes two tasks:  illustrates the meaning of the word AND illustrates the meaning of the word as it relates to the context of Hamlet.   In other words, how can one found image enhance the understanding of both the word AND the play.
      Bonus Extra Super Credit Time:  Fuse  the image and the quote into a well-designed visual that accomplishes the two tasks in an aesthetic and meaningful way.

      PROJECT EXPLODER.
     1.  Take a listen to any of the episodes of the "Song Exploder" podcast.   Note the format of the show, the tone, the emphasis on process and context, philosophy and intention.
     2.  Record a "Project Exploder" podcast about your Indie Book project.  You can use any audio or video recording tool to do so.
     3.  Add background music that heightens your overall podcast, fusing your words, your documentation of your project (photos, footage and/or excerpts), and sound into an overall experience.
     4.  Post your Project Exploder on your blog.

And just to keep things always interesting . . .

Remember that we have No Red Ink quizzes on Wednesday/Thursday this week over parallel structure.

And we will have a multiple choice test prep next week.  Maybe even a timed writing over structure and rhyme scheme, too.  WHAT?  Yup.  It's possible.

SHOW YOUR THINKING.
Blog. Req'd Post.
Bard-Cabulary.
Due. Next class.

Project Exploder.
Due. First class next week.

Study.  No Red Ink Quiz.
Parallel structure.  Next class.







Humanities: LNG and To Kill a Mockingbird

Today we'll start off with an LNG.  Our goal with these are to provide faster, more useful feedback -- just like the blog.  We've got a plan on the teacher side of things to make this happen.

We need you to create great content for us to look at and comment upon.

Here are the links you will find on Google Classroom along with our LNG form.
Posted from Diigo. The rest of my favorite links are here.

From here we will dig further into our To a Mockingbird film study.  We'll have a nice chunk of time to progress into the story and per your feedback, we'll watch the whole film before focusing on the analysis.  We'll take in the story.

We'll end class with some work on our Person, Place, Object of Significance essay pre-writing.  What are stories you have of that person, place or object of significance in your life?  It might be an actual experience you had or it may be an experience you know was influenced by the person, place or object.  Our goal here is to capture our memories quickly.

And we'll sketchnoting to do it.

SHOW YOUR THINKING.
LNG. Voting Rights.
Due. Tuesday. Feb 2.

Roots Quiz. 6-8.
Due. Thursday.  Feb 4.

Blogs.
Three Req'd Posts Due Last Week.
Check the Q3 Blog Tracker.
Expect 2 Req'd Posts This Week.

Person/Place/Object of Significance Essay.
Coming up.  Get ready.

Friday, January 29, 2016

Humanities: To Kill a Mockingbird Begins . . .

We're watching To Kill a Mockingbird today, building on the work we started yesterday with the opening credits, foreshadowing and symbolism.  We'll also do some work toward our person, place or object of significance personal essay by . . .

Creating Six Word Memoirs!
Visit Smith Magazine and their teen Six Word Memoir section.
Then write a six word memoir for yourself about where you are at right here, right now.
Then write a six word memoir about one of your places, people or objects of significance.

This will help you tune your brain.

Then it's time to start To Kill a Mockingbird Film Study! (WOOOOOOOT!)

We'll watch and then start completing a new graphic organizer.  It's available on Google Classroom as an assignment.



SHOW YOUR THINKING.
Blog.
Req'd Post.
Blog prompt.  TKAM Foreshadowing How might the objects in the opening credits of To Kill a Mockingbird  foreshadow what is going to happen in this film?  What have you experienced in your life through other reading, watching, or just plain living, that leads you to this? Use your thinking on your graphic organizer to help shape your thinking.
Due.  Monday Feb 1.

Practice.  No Red Ink.
Make Sure You've Completed the Pre-Assessment on Sentence Fragments.  

Study.
Roots 6-8.
Quiz.  Thursday.  Feb 4.

Wednesday, January 27, 2016

Eng 9: Believe Cont.

Today's game plan is a continuation/revisit of last class.  Based on checking on No Red Ink, a lot of the things that needed to happen last class didn't get completed.

We are going to hold tight to these time frames.

DREAM Time.  Write your name in stones, clouds or gears.  (5 min.)

NO Red Ink.  Complete the pre-assessment on Commonly Confused Words 2.  (15 min.)

ROOTS 8. LEGO your Roots.   Choose one or more roots from list 8 and create representations of them in LEGO.  (15 min.)

BELIEVE Questions.  Complete the comprehension questions for "Believe."  Turn them into a blog post (30 min.)  There should be a new blog tracker for Q3 up during this class.

DAILY Work Log.  You know the drill on this one. (10 min.)

If you have rocked out all of the above, practice No Red Ink, study for Roots 8, turn your DREAM Time into a blog post, or blog about a passion of yours.


SHOW YOUR THINKING.

Blog.
Prompt. "Believe" View & Respond.
 Due Today: Wednesday.  Jan. 27.

Quiz. 
Roots 6-8.  
Thursday.  Feb 4.

Tuesday, January 26, 2016

AP Lit 4B: Sonnets & Scouting

Hi folks,

This week we continue building our new routines for AP Lit.  I'm excited about it.  I think it is going to do a lot of really great things for us in here.

So here we go . . .

Dream Time.  Compose a haiku about sonnets.  5-7-5.  Bonus points and high fives for using a kigo, writing in present tense, and having a turn (kireji).  (10 min.)

No Red Ink.  Parallel structure.  We're starting our work with No Red Ink today.  We'll make sure everyone is logged in and able to access it. (10 min.)

Sonnets.

We'll start with sharing our experiences with the readings and a quick round robin.
Which sonnet did you choose annotate?
Choose one take away/annotation from that poem to share with the class.

Close read: "Sonnet 25: Let Those Who Are in Favour with Their Stars"
Focused SCOUTing.
S:  Diction.
C: Title.
O: Rhyme scheme and relation of the structure to the meaning; introducing the volta (more on this next class)
U: ___
T: Theme

On Demand Revisions.

We'll look at your revised On-Demand and see the extent to which the workshop helped.

SHOW YOUR THINKING.

Blog Prompt.
Image of a Sonnet. 
Step 1. Choose either the sonnet you annotated or another of your choosing from the assigned collection.  Post your annotations.
Step 2. Determine the rhyme scheme and organizational structure of the poem i.e. octave to sestet? sestet to octave? 
quatrain to sestet to couplet to couplet?
something else?
Step 3. Take a photo, find an image on Unsplash.com, or create an image to illustrate each structural unit of the poem.
Step 4.  Post your images in an order that reflects the sonnet.
Step 5.  Write or record your intentions.
Due. Next Class.


Read.  How to Read Lit Like a Professor
"If It's Square, It's a Sonnet."
Annotate.  Bring your annotations.
Due. Next Class. 
(We're using the basic premise of Foster's chapter next class as the spine of our lesson.  So please be familiar.)

Design. Indie Book Project Q3.
Due.  Next Tuesday. Feb 2.
Be prepared to share.